|
|
   |
|
|
|
|
|
|
|
|
|
|
|
|
|
Viola Symphony Power
Amplifier |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
 |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Viola Symphony is a 200W per
channel stereo power amplifier with an integral choke input filter
type power supply. It incorporates many of the technological
advances that were made during the development of the Viola Bravo
power amplifier. Like the Bravo, the Symphony is a virtuoso
performer. The bottom end is extended and well controlled.
A generously rated power supply ensures that dynamics are reproduced
without compression, even when driving difficult speakers.
Careful attention has been paid to other aspects of the design ensure that the
stereo imaging and reproduction of low level detail are equally
impressive. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Audio Design |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The signal path in the
Symphony is fully balanced throughout the voltage gain stages. This
is essential to achieve the maximum immunity from external sources
of noise. Painstaking attention has been paid to the physical layout
of the amplifier in order to optimize noise rejection.
Particular care has
been given to the overload conditions that are often encountered
under normal use. Soft clipping circuitry is used to limit sonic
degradation if the amplifier is overdriven. Bandwidth control
results in nearly identical small signal and large signal frequency
responses. This approach avoids slew rate limiting.
To ensure accuracy in the time domain, the bandwidth control has a
flat group delay characteristic. This implies a linear phase verses
frequency relationship and means that all signals pass through the
amplifier with the same amount of delay. In plain English the output
signal looks exactly like the input signal, only bigger.
Great efforts have been made to minimize distortion at lower
frequencies, because the majority of energy is encountered at these
frequencies in most music.
The Symphony's output stage has been designed to operate with a
relatively high quiescent current in order to improve transparency
and the resolution of low level signals.
Heavy
oxygen-free copper bus bars enhance the efficiency of power
distribution within the amplifier and eliminate variations
that would be introduced by the use of the wiring harnesses commonly used in high performance
amplifiers.
Film capacitors are
used on the individual circuit boards in the unit to provide the
high frequency bypass for the power supply and ensure that all
sections of the amplifier see a uniformly low power supply
impedance. This is key to the Symphony's ability to deliver
large amounts of power whilst preserving all the subtle aspects of
the music signal.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Low Noise Power
Supply |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The heart of a power amplifier is
its power supply.
Like the Bravo, the Symphony uses a
choke input filter type power supply.
This
produces far less Electro-Magnetic
Interference
than the
capacitor input designs
most commonly used in power amplifiers.
It also
avoids the high peak current demands that would be placed on the
mains supply by a conventional power supply and therefore minimises
inter-modulation distortion on the power supply rails and ground
returns.
This is an especially important consideration when operating from
lower mains supply voltages such as 100V or 120V, where the supply
voltage droop caused by the heavier peak current demands of a
conventional supply, can significantly affect an amplifier's ability
to accurately reproduce large transients.
In addition, the Symphony's power supply design
completely avoids the generation of the high frequency noise that
often occurs when switch mode power supplies are used. It also
places less stress on the power supply components,
leading to higher reliability and longer life.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Expandable Power Output |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
If more power is
required, it is possible to bridge the amplifier by connecting
the two channels of the unit together form a single mono power
amplifier. A second unit is then required for stereo system.
In bridge mode a single Symphony will deliver: |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
400W into 8 ohms
800W into 4 ohms |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Sophisticated Protection Circuitry |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The Symphony employs
sophisticated protection circuitry to shut
itself down should it detect any one of a range of fault conditions
that might damage either the amplifier, or the speakers it is
driving. These conditions include: |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
The presence of direct current at the
output
The demand for excessive current at
the output
Over or under-voltage conditions on
the AC mains
Unsafe operating temperatures within the amplifier |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
In the case of either a significant DC
offset or an over-current condition, the amplifier will shut down to
protect itself and the speakers. Normal operation may be quickly
restored by removing the cause of the fault and switching the unit
off then on again.
If the AC mains voltage is either too high or too low for safe
operation, the amplifier will automatically shut down. The amplifier
will not turn back on until the AC mains voltage is within the
acceptable range for normal operation. A 120V unit will
operate between approximately 90-140V; a 240V unit will operate
between approximately 180-280V. Outside these generous limits, the
amplifier will shut off.
Should any one of the amplifier's internal sensors detect an
excessive temperature, the amplifier will automatically shut down. Once the fault condition has been removed and the unit
has cooled down sufficiently, the amplifier can be turned on
again.
In addition, the AC input to each
transformer is fused to protect against excessive current conditions
such as may occur when driving shorted outputs. In-rush limiting
circuitry prevents premature aging of power supply components during power-up,
and is automatically switched out of circuit once the power supply
has been charged.
Finally, the Symphony incorporates a controlled clipping circuit that
prevents the output devices from saturating. This prevents the
damage to the speaker's high frequency drivers caused by the
high-energy high frequency harmonics that would otherwise occur
under heavy clipping.
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
High Quality Chassis
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Great care has been
given to the design of the Symphony chassis. The front
panel is machined from a solid aluminum slab and the side panels are
custom aluminum extrusions. These are brushed to a
super-fine finish and then anodized. They are mated with heavy gauge top and bottom panels to produce a structure that is
extremely strong and rigid. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Warranty |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Products of Viola
Audio Laboratories are warranted to be free of defects if used under normal
conditions for a period of five years from the date of
manufacture. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Viola Symphony
Specifications |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Output Power |
|
|
|
|
|
|
|
|
|
|
|
|
Stereo Mode |
|
|
|
|
|
|
|
|
|
|
|
200W per channel into 8 ohms
20Hz to 20kHz , both channels driven,
THD < 0.25% |
|
|
|
|
|
|
|
|
|
|
400W per channel into 4 ohms
20Hz to 20kHz , both channels driven,
THD < 0.5% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Bridge Mode |
|
|
|
|
|
|
|
|
|
|
|
|
400W into 8 ohms
800W into 4 ohms |
|
|
|
|
|
|
|
|
|
All power figures quoted are continuous
average power |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Inputs |
|
|
|
|
|
|
|
|
|
|
|
|
|
2 x XLR
2 x Fischer |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Input Impedance |
|
|
|
|
|
|
|
|
|
|
|
|
|
1M ohm |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Outputs |
|
|
|
|
|
|
|
|
|
|
|
|
2
pairs of
WBT terminals per channel
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Frequency Response |
|
|
|
|
|
|
|
|
|
|
|
10Hz to 20kHz ± 0.15dB
at 1W into 8 ohms
10Hz to 100kHz, -3dB at 1W into 8 ohms |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Power Bandwidth |
|
|
|
|
|
|
|
|
|
|
|
5Hz to 100kHz +0, -3dB |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Intermodulation Distortion (SMPTE) |
|
|
|
|
|
|
|
|
|
|
|
1W to 200W into 8 ohms <0.075%
1W to 400W into 4 ohms <0.1% |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
SN Ratio |
|
|
|
|
|
|
|
|
|
|
|
|
|
-105dB @ 1kHz 200W, C
weighted |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Dimensions |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
44.5cm W x 21.5cm H x
47.5cm D |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Weights |
|
|
|
|
|
|
|
|
|
|
|
|
54
kg |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Back To Top |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
copyright @ 2004
Viola Audio Laboratories. All rights reserved. |
|
|
|
|