Company Philosophy
         
         
  In the beginning      
Viola Audio Labs was founded in 2001.  At its heart is the collaboration between designers Tom Colangelo and Paul Jayson.

Tom and Paul began their careers with Mark Levinson, the man who is credited with being the founder of high-end audio. In his pioneer days developing the first high-end audio company, Mark Levinson Audio Systems, Mark partnered with a young audio enthusiast with a keen understanding of the laws of physics. That man was Tom Colangelo. Tom became MLAS' chief design engineer in the 1970s and helped develop some of the legendary MLAS products that shaped the world of audio for the next three decades. Paul Jayson, the second member of the design team, joined MLAS as an engineering assistant.

While Tom and Paul worked together at MLAS, they pioneered a craftsman guild approach to construction and manufacturing. The best components available were located, every part was inspected and the highest quality standards were applied to create the best sound equipment possible. Solid-state technology affording greater reliability, consistency and convenience, was adopted instead of the vacuum tube.

When Levinson left Madrigal to form a new company, Cello, Tom and Paul went with him to form the design core. In the new environment Tom continued to fashion products that set the mark for high-end audio. The Audio Suite, Audio Palette, Performance Amps and Strings became the first components of their system. The creation of the Stradivarius speaker line completed the picture. In the following years Tom and Paul designed the award winning encore line of components and a succession of speakers that shaped the 1980s and early 1990s. Along the way Paul completed his degree work in engineering and became the engineering manager while Tom continued to lead the research and development activities.

The third original principal was Tony DiSalvo. Tony first started to work with Tom and Paul in the late 1980's after leaving his Yale University faculty position to join them.  As Viola's Chief Operating Officer he  guided the company through its formation. Tony later left to pursue other interests.

 

he Designers

 
 
 
 

           The Designers

   
  Tom Colangelo - Vice President: Research and Development
 
 

Tom has been designing his own unique style of circuitry for the past 30 years. He is considered one of the leading audio design engineers in the industry today. His products designed in collaboration with Paul, have won numerous awards from audio magazines around the world, including both "State of the Art" and "Component of the Year" awards from Japan's foremost audio magazine, Stereo Sound.

Since he began his career at R.T. Bozak, designing circuitry for accuracy was always his objective. It was a goal that held fast through his work in the development of the ML-1, ML-2, ML-3, ML-4, ML-5, ML-6, ML-6A, ML-7, ML-7A, ML-8, ML-9, ML-10, ML-11 and ML-12 while at MLAS.  At Cello he pursued his quest for accuracy and sonic neutrality. His ideals were continued in the Audio Palette, Audio Suite, Duet 350, Encore 50, Encore Preamplifier, Encore 1 Meg Preamplifier, Palette Preamplifier, RDAC, and the Performance and Performance II Amplifiers.

 
   
 
 
  Paul Jayson - Vice President: Engineering
 
 

Paul combines the unique talents of a design engineer and manager. In addition to the award winning products he designed with Tom, Paul was the design leader of a unique blend of speakers and electronics that were popularized under the Cello logo. The Encore 150 Amplifier, the highly acclaimed Elves Speakers and the Stradivarius series of speakers, The Grand Master, Master, Premiere, and Legend - are testimony to his skill.

 
  Philosphy  
 
 
 
  Company Philosophy    
   

At a time when the world has moved to Home theater, multi-channel amplification and digital audio, VIOLA sets its sights on recreating top quality audio reproduction in the tradition of the early MLAS equipment: best parts, highest standards, close inspection, quality workmanship and simple design. Their guiding force is a belief in the validity of measurement as well as an acceptance that music is experienced in addition to being measured and delivered by mathematical formula. The best avenue to recreate the experience of the performer is believed to be the simplest circuitry possible. VIOLA design and manufacture has embodied that belief and the timeless craftsmanship of handmade quality products.
 
From his earliest days in audio Tom has been fascinated by the awareness that the same music piece could sound differently based on the amplification system used. He was troubled by the fact that the emotional experience derived from listening to music was diminished when the electronic equipment colored the sound output. He and Paul have devoted their careers to designing audio products that are sonically neutral. These products have been primarily amplifiers and other circuitry used to process audio signals. The sonic neutrality allows the listener to "feel" the music, to be drawn into the emotional, artistic, esthetic and spiritual nuances of the listening experience.

The quest for sonic neutrality continues at Viola. While measurement serves as a guide, design is a more open-minded exercise. When conflicting parameters compete, the solution is always oriented toward that which produces the least offense to the ear.

The experience at earlier companies taught the group that the key to achieving top quality is to incorporate  quality concept into the entire process - from design, parts acquisition, manufacturing, customer purchase and finally to after-sales service. VIOLA has recreated a manufacturing environment with a craftsmanship approach to audio design.

 
       
       
       
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    copyright @ 2004 Viola Audio Laboratories. All rights reserved.